Showing posts with label orhan pamuk. Show all posts
Showing posts with label orhan pamuk. Show all posts

Monday, June 25, 2012

as long as someone remembers


i'm reading orhan pamuk's museum of innocence, which is one long pondering as to whether objects can house memory and feelings. in the book füsun says "when we lose people we love, we should never disturb their souls, whether living or dead. instead, we should find consolation in an object that reminds you of them..." my visit to the flea market on saturday rendered a new little collection of objects which feel somehow laden with more or less inaccessible memories, reminders of stories not my own. and yet, i am still drawn to these things.


this old typewriter was there the last time i went to the market, so you might say we already have a history together, or at least that we'd met before. i didn't intend to buy it, but as i was leaving, the guy said 100 kroner and so i went for it. mostly because it still had a little poem in it that must be the last thing that was typed with it.


it's a sweet little poem about a little frog by chief doctor morten scheibel from the hospital in viborg. somehow, such a remnant there in the carriage of the typewriter does give a little bit of access to the stories and the memories it silently holds.


he experimented with the lines...using no spaces initially, then reverting to normal spacing. there's even a word he struck out and changed, offering glimpses of his creative process, left behind in the typewriter. tho' there was a more fetching typewriter there at another stand (and another price), this little poem made this one more appealing.


this camera may have similar secrets to tell, as there's a film still in it and it's on photo #14. it'll need a new battery before i can find out what memories it holds within. and discovering the battery thing makes me think that the other practica i got at a flea market a month or so ago might be ok after all if i just replace the battery.


stoneware plates and bowls keep their secrets more closely guarded. the azur nissen denmark plate is crazed and has a hairline crack, belying tales of long and not always gentle use. i loved the color and the amusing chat i had with the rather crotchety woman who sold it, so already i have laid a thin layer of my own memories onto it. the little bowl is a bit more silent, speaking only through the HAK initials on the bottom, as being a descendent of a long tradition of pottery-making in denmark. i loved the soft colors and the shape and size of it.


this little flat bowl/tray is HAK as well. the simple flower motif reminds me of the flower people sabin drew when she was little, so already i begin to layer my own meaning onto the object. it makes me a little bit sad to think that it found its way to the flea market. it must have once been a present to someone, thoughtfully given and once that person was gone and the story with it, it was packed up and sent off to the flea market. objects only retain their meaning as long as someone remembers.

Wednesday, May 23, 2012

when istanbul was constantinople


i just read about orhan pamuk's newly-opened museum of innocence in istanbul. it's a brilliant concept, actually - because the museum is an extension of his novel of the same name. a novel and a museum as two representations of the same story - quite clever, really. and it makes me long to go to istanbul. i haven't read that novel (am ordering it immediately from the library), but from what i can gather, it is permeated with nostalgia for an instanbul that is no more. there's something about balkan writers - they walk a fine line between kitsch and nostalgia and usually, they walk it well. go and read the piece about the museum. then i'll meet you there!