keeping promises to myself

when i decided to do a 365 project for the second year in a row, i promised myself that i'd dare to take more shots only on film and that there would be days where i didn't shoot digital at all. i'm now over halfway and i think there have only been 3-4 days where i took just film shots. not good, at least in terms of keeping that film promise to myself.

i can feel the stagnation setting in. on friday, i very nearly forgot to take a photo for the first time in a year and a half. it's so ingrained in me now that it's like breathing, but on friday, i almost forgot. thank goodness for the iPhone and Instagram, or i wouldn't have a shot from that day and i would have missed my first photo of the day in a year and a half. and despite feeling a bit blah (i blame the clouds), i would feel pretty badly about that, because taking a shot every day for a year and a half is something of an accomplishment.

today, despite an utter lack of photo mojo (again with the clouds), i got out the rolleiflex and halfheartedly dusted it off. and still, what you get a through the viewfinder digital shot. do you think i took a picture with the actual film that's languishing in the camera? if you say no, you would be right.

i do hope the sun comes back soon. it's much easier to keep those promises to myself when the sun is shining.

skewed views of stonehenge

back in mid-august when i attended blog camp 1.5, we visited stonehenge. i had the old family heirloom rolleiflex TLR camera with me and i loaded it with a roll of Kodak ektachrome professional film that had expired in 1991. well, after the film spent several weeks at my local camera shop where they were befuddled by the fact that not only was it 120 film but professional film and expired to boot, they finally sent it off for processing at a place that could do that and i just got it back today. and these are a couple of the results. i do so adore that you have no idea how expired film will behave. this, coupled with my inexperience with the rolleiflex produced these overexposed shots. but i love them. even more because i managed not to get any of the crowds of people standing behind ropes around the perimeter in the shots. so i think they do justice to stonehenge's inherent mystical, ethereal feel. and i'm pretty pleased that i remembered to do polly's signature skewed shot, which also seems to fit stonehenge.

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please do check in on the new project - domestic sensualist. we're posting every day during this kick-off week!  and on across ø/öresund we're back to our nikons this week after a week of iPhone photos, so do stop by and see what we've seen. i'm off doing interviews and (happily) seeing some old friends for the next couple of days, but i'll be back wednesday evening.