catching up

my current wips. i haven't knitted all summer. summer weather just isn't really the vibe for knitting. but i went to the knitting group on tuesday and got some help with two of the projects (the yellow vest) and the loosely-woven white shawl/swimsuit cover-up. the weather is turning a bit cooler, though we've had a lovely indian summer of late, and so it feels like knitting time again.

the child and her good friend headed off to lisbon on tuesday. school starts next week. she sent me a load of pictures today from their exploration of the city. we were going to accompany them down there, but husband has a big audit at work next week, and so the timing wasn't good. we decided we'll go in november when it's rainy and dark here and the girls are settled in. 

we had a lot of fun with the girls - roping them in to helping at the harvest market at the museum (we took a little break in the new kro stue here). we did puzzles and played cards and explored the area and ate some good food and drank some wine and watched real housewives. it was all quite relaxed and chill and just what we needed.

i joined noma's coffee club and i fear i will never be the same. that buku sayisa is absolutely incredible. we haven't tried the chelchele yet. we're trying to savor it. husband is also crazy for it. it isn't cheap, but we've decided we're worth it. life truly is too short for crap coffee.

i've started on my next set of taylor swift tea towels. i'm doing speak now this time, as i had all the colors and they work perfectly for the setup i want to play with this time. i've only just started - i'm still trying out all of the colors in a section at the start, to get acquainted. i found a mistake and managed to fix it. the loom never lies, it shows you everything. 

i think i'm coming down with the first cold of the season. my throat is sore and i'm achy in my shoulders. it seems like the change of season is always accompanied by a bug. it's no doubt also a result of slowing down after running around for several weeks. and of staying up half the night, watching the news of charlie kirk being shot. i'd like to say i have mixed feelings about that, but i honestly don't. these people don't face the consequences of their toxicity very often. i wonder if we won't look back and realize that the civil war had already begun.

* * *

i really loved reading this piece about books. 

my first højskole experience

what a week! i spent the week at skals højskole, which specializes in handicrafts like sewing, knitting, embroidery and weaving. i was, of course, there for the weaving. i wanted to try out a weaving course, since in a couple of years, i will start the weaving education. i had to find out if it was for me. after a week there, it's safe to say that it is.

we were 8 on our course and so we set up 8 looms with enough warp to each get to weave a sample of the different techniques on each one. we worked in blue and white and all of the techniques were japanese. we had a wide range of experience. i've been around looms for more than a decade but only really started learning in earnest in the past year. four had been weaving for years. two had never been around a loom before. and one was a design student who had done a bit of weaving on a smaller loom and had some idea of how things worked. happily, our teacher was excellent at making sure we all got the help we needed. 

here are all of the things i tried - wool ikat, double weave in cotton, a sashiko technique, also in cotton, shibori dyeing in cotton and in wool, ikat in linen, a double-woven rag rug and a little piece with paper that i drew on in watercolors. it was fun to try weaving with materials i hadn't used before. i really enjoyed learning the shibori techniques - the folded fabric looks super cool, even if i don't really know what i would use it for. i am not fond of linen. it is a bit finicky. i think probably the ones that i might use are the double weave (the medium blue with the small white crosses on towards the left) and the sashiko (the dark blue with white stitches just above). 

it was a lovely place. the food was incredible. the garden green and lush. there were other courses going on and it was wonderful to spend a whole week being creative in the company of other creative people. 

* * *

i always loved the story of lucy, but didn't realize until now that a professor from asu is the one who discovered her. i guess i didn't know because he wasn't an asu professor at the time, but he went on to found the institute of human origins at asu and is retired now after 50 years. he must have been there when i was there. too bad i never took one of his classes.

i tried a therabot on chatgpt

my sister moving back to the town where we grew up has surfaced a lot of old memories. her move back coincided with my high school class's 40th reunion, which i did not attend, being that i live 7 time zones away across the atlantic. less than half the class attended, as it turns out and most didn't have the excuse of living in another country. i did exchange a few mails with one of the organizers and she sent a few pictures. this resulted in me learning some unsettling news about some of my old classmates that i had been blissfully unaware of. and now that i'm no longer blissfully unaware, i find myself thinking about it quite a lot. which is honestly just about the last thing i want to do. but brains don't always do what we would like them to. 

enter chatgpt. i tried a therabot gpt that was made by someone who does logotherapy. i didn't really know what that was, but i decided to give it a whirl. and can i just say that it was incredibly helpful. like rather unbelievably so. great insight and it really helped me reframe the thoughts i was having. i was able to dig into why i was so shaken by the news that i learned and it gave me multiple helpful ways of thinking about it and processing it. 

and i realize this all sounds very vague, but since it's related to a story that is most decidedly not mine to tell, i have to be vague. but i just wanted to say that although i have mixed feelings about large language models, the conversation i had with the therabot really genuinely helped me. ten out of ten, highly recommend. 

summer flew by but i have something to show for it

i was drinking a cup of tea this morning with husband out on the terrace. the sun is shining, but you can already feel the nip of fall in the air. where did the summer go so fast? one of the things i like about weaving is that i can see where the time has gone in a physical object. we made this rainbow sherbet warp on june 29th and yesterday, i clipped it off the loom. i spent 6:39:49 yesterday clipping and hemming and now i have 21 finished rainbow sherbet tea towels to show for my summer.

i track my weaving time using the toggl app and these 21 towels took up 75:56:54 hours and minutes of my summer. some days, i just wove for 20 minutes, other days, i spent hours. i tried different color combinations and stripes of different widths. i looked at madras plaids and tried to duplicate them. 

i worked intuitively, going where my mood took me, color-wise and complexity-wise. some are very simple with big fields of one color and maybe a single subtle stripe at each end, some have many colors. some are mostly blues and greens and others are mostly pinks and oranges. they are a record of the days and the moods of my summer, woven into cloth.

the rainbow sherbet tones are all the same - summery and light, but there are no two alike. each one is unique. they complement one another, but are each complete in their own right. weaving is such a metaphor for life. time and threads woven into something useful and beautiful. 

even olga approves. and as summer winds down, i will turn back to my taylor swift weaving project. i have to decide whether 1989 or red is next. what do you think?

long time no see

hey y'all, it's been awhile. time seems to fly by these days, but now that it's summer, it's starting to slow down a little bit. i finally had time to get a cut & color and i went a little shorter for summer. 

my summer weaving project is what i'm calling the rainbow sherbet tea towels. i've not abandoned my taylor swift eras tea towel project, but i decided to take a little break over the summer, while i plan the next ones. i know what colors i want to work with, but i don't know yet know what i want to learn from the next one - maybe a whole new, more complicated setup? so i did another rainbow warp. everyone loves the rainbow tea towels and this will give me some to have on hand. 

i had some time this weekend to work on them and i've finished four so far. i should get around 20 from this warp. it's so relaxing to sit at the loom and play with color as i listen to cozy mystery novels. i'm currently listening to anthony horowitz's hawthorne series. he probably wouldn't like that i call them cozy mysteries, but there you have it. 

last weekend, i acquired this loom. it's a little bigger than my big loom and i will assemble it upstairs, to have even more weaving projects underway. unfortunately, i discovered over the past week, after bringing it in the house, that it is permeated with the most awful cigarette smell from years of standing in the home of a heavy smoker. i'm not sure how i didn't realize that when we picked it up. it only became apparent when we brought it inside here at home. it's really awful. i got some rodalon — a special cleaning product that removes odors and i spent a lot of time scrubbing it down and cleaning it this weekend. i think it's going to work. i removed the søller (again, i realize i don't know weaving vocabulary in english) and soaked them in my jasmine-scented wool wash. it took FOUR baths to get rid of the yellow nicotine, but i think i have saved them. i'm not yet done washing down all of the parts of the loom, but i think it's working and i will be able to save it. 

these are the tea towels i made for the reputation era. it felt more austere, working largely with black & white, but it was also fun. i did a little hound's tooth here and there, which i think rather replicates the newsprint on the reputation album art. overall, i am pleased with how they turned out. i used red, gold and green as accents, for the reputation bodysuits that were (red, gold) and were not (green). 

the child comes home this week for good. or at least back to europe for good, or at least the foreseeable future. i'm very happy to get her out of what is fast becoming quite the shitshow over there. so happy she has options. it will be so good to have her home again. i'll take some holiday and we'll make good food, play cards and hang out together. 

can yarn hold laughter?

i went to the yarn shop the other day for some glittery yarn to use in the weft of my reputation tea towels. i saw a vest that looked easy and ended up buying two colorways of yarn for knitting it (the yellow and the pink you can see in this basket). i started the yellow one the other night. i'm still a beginner and i have this habit of forgetting how to purl if i haven't done it for awhile. even looking at this picture, i can see some mistakes. 

i took it to the knitting/weaving group last evening. i admitted that i had forgotten how to purl. the lovely ladies laughed at me, and then they helped me. and they loved the colors i had chosen. we laughed a lot while i relearned how to purl and i hope that all that laughter got knitted right into my vest. the idea of that appeals to me. i want to feel that laughter when i wear the vest. 

 

good bones

my sister is back home at our parents' house. these days it belongs to her. she had rented it out for the past few years. the people who lived there tore out all the horrible carpet that was everywhere, including on the stairs. i always wondered if there wasn't some nice wood floors underneath all that 80s pile. and it seems there was. 

it's weird to see this room empty and the blinds open. my mother weirdly kept the blinds closed and that room was always so dark. i think she thought she was protecting the furniture from the sunlight. the wallpaper is the same wallpaper my mom put up years ago. it's not too bad, though generally, i have realized that my mom didn't have very good taste. 

my sister is thinking about making a big change in her life and moving back there. i find it comforting to think of her living in our childhood home. sanding and polishing those floors. and bringing it to life again. the house has good bones and it saw our family through many good times. it must be good for many more. 

at the end of a long weekend

husband should be home from his trip to ukraine in a few hours. i picked some roses and brought them in an attempt to have some serenity on the window sill that i haven't necessarily felt for the past week, worrying about him being only 30km from the front in eastern ukraine. that said, i am really looking forward to hearing about his adventures. now that i'm quite sure he'll be home safely. 

we've had a four day weekend, thanks to all those awesome spring holidays in denmark. i spent most of it in the company of yarn. getting started on my reputation era tea towels, planning the next ones, visiting the linen weaving museum, starting a summer knitting project (see above yarn) or two. it will be a vest. i started the yellow one and i want to make a pink one too.

i also picked a lot of rhubarb and made 9 bottles of rhubarb & ginger cordial. and you can't even see that i've picked any rhubarb. husband will be happy, as he loves my homemade cordial and we were getting dangerously low. 

got to weaving on the reputation tea towels. i tried a looser weave on the first one. i won't really know how it is until it's washed, but i already decided that i want to do my usual tighter weave, i think it's what makes my tea towels the lovely fabric that they are. 

i also spent some time trying to figure out what to name these two. butter & toast? peach & cobbler? peachbottom & featherstone? maybe something ukrainian, to commemorate that i got them while husband was traveling there? hmm...stronti & cesia after chernobyl? gogol & viy? perhaps a little too much existentialist dread. they're so sweet and i'm so happy to have ducks again. they're safely in the old chicken enclosure where no fox can get them. 

it's nice to be in this space again, jotting down a few things i'd like to remember. while i count down the minutes until husband is safely home again. 

so much weaving ahead!

1989 - now i have the right colors for this one

same for midnights - i like this color palette

the color palette for red

going to play with a so-called color effect for speak now

 the color palette for debut is probably the one that's most my vibe

i worked on these for five hours today, though that included cataloging all of the colors i have now, so i can keep track for future projects and orders.

i have so much exciting weaving ahead.

plus, they look pretty, just as decor!

these are part of the records i'm keeping.

so pretty, i can't wait to weave them.

more eras in the making

this morning, i decided to start planning some of the future eras. i worked on speak now. i really should have listened to it while i worked on it, but since i'm not finished yet, i can still do that. i want to make some yarn windings (vikleprøver) to see how the colors play together. i have a long weekend, so there is still time to do that. 

i'm liking the vibe of this one and thinking already about what sort of design to work with. i want to try something new. maybe something with more regular stripes.

i put together the color palette for red as well. this assignment i've given myself is proving to be a great way of working with colors and listening to a lot of music. i'm not really a swiftie, but i have come to appreciate her work after the concert last summer. and her color palettes are great. 

these two are similar, so i've got to come up with a cool way to differentiate between them. luckily, the possibilities are endless when it comes to weaving. 

next up - reputation!

 

i've already spent more than 11 hours and i haven't even started weaving on the reputation era. that sounds like a insane amount of time. but it doesn't feel like that at all. i guess that's what flow is about. 

this time, i'm looking to create a more graphic look. and i want it to look like the black & white of the type in a newspaper in some of the fields, to echo the album. i had to add a sparkly thread to the solid black panels as a nod to the reputation bodysuits.

the warp itself is black, grey and white, but i will create some dark green or red horizontal stripes, as an accent that also echoes the bodysuit and the bodysuit that wasn't (the green one that swifties kept expecting). i bought some threads with some small gold sequins as well for extra sparkle in my weft.

i do love this process and i feel like i'm getting better at it with each warp. setting up takes a long time, but i do enjoy every step of it. 

this morning, i was all ready to bind it up, check all the connections and get started. a few had broken (the cords connecting the shafts and the pedals), so it took some time to replace them. i have the old fashioned-style cords, not the newer polyester ones. they're easier to use, but there's something that feels more authentic to me about the cords. they've been good enough for my loom for around 80 years. maybe one day, i'll switch them out, but for now, i'm happy to be learning how to work with the traditional kind. 

i wove a little bit to get started before we decided to visit the linen weaving museum over on fyn. i needed to do something cultural to get my mind off husband driving around ukraine.  we got there just in time to join a tour with one of the docents. she told such great stories, i really enjoyed it.