looking for delights

it's delights week over at the grown-ups' table (a 30-day drawing challenge on wendy macnaughton's wonderful substack). and after a slow commute home (the roads are still terrible out there - especially around aarhus, they don't appear to have even attempted to clear them), frustrations borne of what i can only characterize as xenophobia and sexism, and a bit of lingering sadness over those dashed christmas expectations, it all adds up to a strong need for some delight this evening.

before i turn to drawing something from nature (probably another cactus), i thought i'd just look though my recent photos to find some traces of delight. as you can tell from my last few posts, i have found the recent snow to be utterly delightful to go for a walk in (though driving in it has been less fun). 

i am quite delighted by the little lamp i found in a secondhand store for only 50kr. it fits beside the bed upstairs and its plain white shade was the perfect canvas for painting a few cactus to match the mural on the bedroom wall. it's such a delight to sleep in this lovely room every night. 

another delight is this new cup by my favorite ceramics artist that i got for christmas. i swear coffee tastes better from the right cup.

and i'm feeling better already, just thinking about delight. so one last one for today - travis the kitten is so helpful with my daily drawings. i'll see if he's up for helping me draw something from nature. maybe i'm no longer feeling prickly, so i'm now thinking snowdrops - when the snow thaws in the next couple of days, they just might be poking through and in the meantime, i'll draw the memory of them. 

what's delighting you today?

the long-awaited new bedroom

it's been ages since i've done any updates on our never-ending house project and it's not because there's no progress, it's more that i have less time to document than i did in the old days. 

sabin and i painted this mural on the wall while she was home this summer and husband has done the rest of the painting. we used fancy handmade, non-toxic paint and it's really beautiful, though husband thought it was very hard to work with, so i'm not sure we'll be using it in the rest of the upstairs. the room is a bit minimalist at the moment, as we're still painting the two chests of drawers that we got second-hand and they're not quite finished.

i've sneaked in a few more plants since i took the third picture. it's so nice to both go to sleep and wake up here. and since i've been battling a cold, i also spent quite a lot of time here yesterday, working on my computer in the beautiful light. 

oh, and i'm really loving that ikea lamp. and the pedestal husband built for the bed. it puts us up at the perfect height for waking up to that beautiful view. even though they harvested the corn on the field, it's still pretty and i keep seeing deer out there, sniffing out dropped bits of corn. 

indigo dye pot

this indigo dying is another of those things that i never did until i learned to do it in danish, so i don't actually know what this is called. in danish it's a kypefarve. from what i can find online, it's called a starter solution - and it involves lye and powdered indigo and needs a few days to "marinate" before using it. 

you bring the water up to between 50-55°C and then gently add the starter solution. then a kind of shiny, iridescent surface forms. and then you can start dyeing.

we started off with some of the lovely mohair yarn we got from our recent visit to a mohair goat farm on fyn. 

we included a little bag of curly mohair locks. 

you can see some of the magic happening in this shot - it's a lovely green when you lift it out of the water and as it reacts with the air, it gets more and more blue. i absolutely love the alchemy of it and it's so magical that it comes from a plant!

this is my indigo bed. we didn't use fresh indigo for this. i want to learn to extract and make the indigo powder out of my fresh indigo. you can see what i did with the fresh stuff last year - here and here.

i also had some white linen napkins that i bought and they went into the pot as well - here you can really see the green color they have before the air does its magic. 

this is how the mohair yarn turned out. we could probably have left it in the pot longer and gotten an even darker blue, but i think this is just lovely!

and here's how the mohair locks turned out. we'll use all this yarn and such in our weaving projects at the museum. i have one more project to show in one last post, so stay tuned for more goodness from the indigo pot. 

linen dress in the indigo dye pot

i got this white linen dress on sale at cos last year. i've been waiting for the chance to dip it in an indigo dye pot for nearly a year! well, i got the chance last weekend! so i did a bit of prep on it with some fun shibori techniques. i put marbles inside and tied them with rubberbands. 

 my plan is to dip only part of the dress in the indigo and leave part of it white. 

and this is how i dipped it. i love the magic of indigo. it looks so green until it hits the air and then it magically turns blue (more about the indigo pot in my next post). 

how the marble bundles turned out - i love it! i'm really pleased with how it turned out.

i feel like i dipped it just the right amount. and i'm happy we've had a few warm days of indian summer, so that i could wear it in the past week.

and the back. maybe i could have dipped it a little bit more in the back. it has a belt too that i also dipped, but strangely, i failed to photograph that. i want to do lots of more of this!

summer holiday winding down

just a day and a half left of my three week summer holiday. it's been a rainy, rather cold summer and it would have been nice to go somewhere with sunshine, but it's also been really nice and relaxing to be at home and really great to have sabin at home. we worked on the outdoor terrace, i sewed and i worked with sabin on a cactus mural wall in our bedroom. 

i'm sad my holiday is ending and i've got low grade dread going back to all the work i have to do in the next couple of weeks. and i'm sad that sabin will head back to school at the end of the week. i'll miss having her here. we've been watching real housewives of orange county and relaxing. it's been good and hopefully all the rest and relaxation will carry me through the busy autumn. 

one down, two to go

it took me most of the day to figure this out. i combined two ikea fabrics from my stash and made a reversible pillow for the new lounge area in the covered terrace that husband has built this summer. i bought a pallet cushion as the base and so this is basically a cover, though i have sewn the buttons on, so i'll have to clip them off if i want to remove it. 

i spent quite a long time fiddling with the zipper. i was pleased with myself for finding a long zipper for only 10kr. in the local secondhand shop. maybe i won't bother with the zippers in the next ones since i'm sewing the buttons on. it makes quite a difference to have them there - it keeps its shape much more nicely.

i really love how the buttons look. i don't love the sawdust that i got on the brand new cushion because i couldn't resist trying it out in position and husband was still sanding the bench in preparation for painting it. 

prepped the buttons for the next two. i'm really pleased with how they turned out. and they look cool and i think they'll be quite flat and not uncomfortable to sit on them. at least these rainy weather is good for such activities. 

perlemagi!

after years of making "perleplader" with the child and never having them really hang together, i spent yesterday playing with hama beads. i saw someone doing very creative things with them a few months ago at upcomers in vejle and bought a couple of her how-to books. she calls her technique perlemagi.

her technique involves melting them much more than we ever melted them back in the day. luckily, i saved my old iron that was spitting chalky residue on all of our clothes. turns out if you turn off the steam, it's perfect for melting little plastic beads.

i went a little nuts. and couldn't stop making them. i even made husband eat smørrebrød for dinner, because i couldn't be bothered to stop and make dinner. it's kind of magical how these geometric shapes just melt like that. and how melting them this much makes them actually stick together. 

i made these as buttons for the cushions i'm making for our new outdoor lounge area. i needed 36 of them. it was fun. i could have kept going, but i restrained myself. ok, i did make a few extra, as i have to figure out how to make holes in them so i can sew them on. it was a great activity for a rainy day. 

 

printmaking and the fog of living in a global pandemic

i learned a new sort of printmaking this weekend - collography. we used cardboard, rather than copper. i loved the elusive nature of it, though it felt like it took a couple of prints before i got my head around it and obviously i still have much to learn. it's different than linoprints. i also loved that each one only makes one or two prints. there's something appealing about it being a monoprint. i feel intrigued by the fact that there's only one chance.

i have cacti on the brain, so i made two. and i ended up feeling that what i really need is a scalpel that i can draw with. curves are a bit difficult. i also came away feeling that i need a press. you definitely need one that rolls the print through to do these, as just pressing down, like you can get away with on a linoprint, is not possible. there's always more art supplies that you can acquire.

i've been seeing people on instagram that are doing collography using packaging as the base. i took the packaging from my burrata and i really love the result.

having linocut experience, i hollowed out the small spots to make them, forgetting that they'd fill with ink and actually end up black. the instructor said i could cut out small bits of paper and make them be white. i like how that turned out. 

i did a quick last print, just before the end of the day, drawing a small bowl and decorating it with a couple of leaves. i actually made two of this print. i kept it simple, thinking that i'd maybe do some stitching on it or add a bit of my old favorite payne's grey. 

* * *

january seemed so long. like it was the longest january ever. but i made it to today, the last day. it was also the last day of my current job. i reluctantly leave behind my very good colleagues, but i am looking forward to starting something new tomorrow, something that's perhaps a bit more up my alley. i love starting something new and i'm very much looking forward to jumping in with both feet.

* * *

and speaking of never-ending, i've been thinking a lot lately and talking to people about this whole pandemic thing and what it's done to us. i don't think we even know. i just wrote a completely ragey letter to the church where sophia, the twin we lost, is buried. we renew the grave once a year and i somehow missed the first letter about it. so they send a reminder that horribly threatens to dig her up and throw her away. not quite in those words, but not that far from it. and even after 21 years, it upsets me greatly. i feel like i missed that first letter in the fog that has settled upon us with the monotony of the pandemic. tomorrow, all the restrictions are lifted here in denmark and i don't really know what i think about that. three colleagues today announced that they have tested positive and one more was sick as well, though i never heard a test result. i had a negative test yesterday, which i got on a whim because i saw that there was no line at the test center and i was there anyway. so, i've escaped the virus so far, but not the fog that has settled over all of us.

an old friend has been pondering the pandemic as well. read her take here.

another attempt at life drawing

these are from my second attempt at life drawing. as you can see, we had a female model the second time around. i found it harder than the first time. i had a lot more trouble letting go and freeing up my hand for the lines. kind of disconcerting that the best ones were the ones i did blind (not looking down at the paper) or mostly blind. that was the closest i came to letting go. i'm going to a yoga thing on sunday, so i'll miss this weekend's sunday morning life drawing session. looking at these results, maybe that's for the best.

it just takes the time it takes

i'm weaving a four meter long rag rug. i spent weeks searching out old bedding in red and black and white in second hand stores, carefully ripping it and rolling it into balls.

on october 19, i began my rug. the end product will be 4 meters long and it will have a place of pride in my kitchen. the warp on the loom had already woven two rag rugs and they were cut off and so i had to tie up my ends. i am very fortunate to have excellent help from the experienced weavers where i weave.

i started off with an edge of 8 rows of "fisherman's cotton," which is the same as my warp.

i began with plain black fabric, loving how it looks with the pattern that's set up on the loom. i press the pedals 1-2-3-2-1 and so on.

it looked so amazing with the plain fabric, that i decided, after weaving a few rows with some of the patterns i had collected, to remove them and keep it simple with plain colors.

i'm alternating between black, white and red, more or less as the spirit moves me. i'm using less white, since at 4 meters, the rug will be too large and heavy to fit into the washing machine very easily. 

i decided early on to measure each section, so that when i come to the middle, i can begin a mirror image. i think the finished rug will be more harmonious this way.

since the loom has been in use for awhile, strings keep hopping off. it's frustrating and slows things down, but i also learn a lot from it. and it's a good reminder that this is a slow project. there's no way to hurry it up. it just takes the time it takes.

and since i can only go weave every other wednesday when the group gets together, my progress is steady but slow.



but progress there is, and i plod along. it's even slower than it should be because i decided that the strips i originally made were too wide and so i have to tear them all in half. this means that i'm doing a lot of matching up of ends, which just takes the time it takes.

but things do move forward. and i'm pleased with my edges. somehow, i'm a natural at those. but, i'll admit that when visitors to the museum stop and talk to me, i make mistakes and i have to back up. making it again, just take the time it takes. i'm learning patience. and perseverance.

and i'm well over halfway as of this shot. when i start to make mistakes, i take a break, get a coffee, walk around and talk to the others, and look at what they're doing. or i help reach things that are up high or take a turn at the desk out in the museum. and i just remind myself that this just takes the time it takes.

and now, i have under a meter to go. i didn't finish it in time for my big thanksgiving with guests, but i will finish it early next year. and i will be so proud of this significant, beautiful thing i have made for my kitchen. and i will remember that things just take the time they take and how important it is to enjoy the journey along the way.