30 days of lists: day 7

it's a little hard to narrow this list down, so i went mostly with the weather. these dark, short november days it's the most dramatic part of the day. and candles definitely help us through.

streets of copenhagen - how i love thee

tho' it was a grey, cold day, the streets of copenhagen still looked very fetching.

"my new home"

fabulous old specs on an optician

converse love

the window of the jackpot store.
i love the dark blue that's in for spring.
but can totally do without all the peach that i saw (but didn't photograph).

part two on købmagergade

the store i will have some day will be a bit like this.

my kinda shop - colorful!

books

love the simplicity of those houses

happy weekend, one and all...hope you can find a little beauty, even if it's grey and cold where you are!

light, lake, lilypads

we celebrate midsummer here in denmark on june 23 - sankt hans aften - i'm not sure why we don't celebrate on the actual solstice, but hey, i'm up for any opportunity to celebrate the light. and celebrate we did this evening. our neighbors had saved loads of sticks and old hay and had a most spectacular bonfire, which is a traditional element of sankt hans. traditionally, a witch is burned on the fire, but we skipped that bit (and i kept myself at a safe distance, just to be sure no one gave me a little push).

afterwards, we headed down for a little sail on our lake. this time, we found pink waterlilies. and although i just shared waterlilies yesterday, i had to share them again. making hay while the sun shines, as it were. or lilypads while it's light, perhaps?

thank you all for sharing the places where you get away from the world on my previous water lily post. i love how many of us are drawn to water and nature in general. having grown up on the prairie, i'm also drawn to wide-open spaces where i can see forever. and speaking of that, i'll be headed there on saturday! i'm looking forward to watching a good thunderstorm or two come rolling over the prairie. and of course, to seeing my family. that bit goes without saying. but i'll admit i'm starting to wish they'd just come here and hang out with us and the lilypads.

liberating beauty

on a friend's recommendation, i acquired a book called skønhedens befrielse - forslag til en økologisk æstetik (liberating beauty: towards an ecological aesthetic) by morten skriver. a book by a guy whose last name is actually "writer" has to be ok, right?

i felt the book started off well. it really spoke to me with its condemnation of the horrible conditions under which animals are mass-produced for our consumption and of the mind-numbing sameness of suburbia and mall culture. and the underlying message that we must return to a place where we see that everything is connected to everything else and the choices we make matter is a good one.

but. (you knew it was coming, didn't you?) but, then i began to notice that citation of sources was sorely lacking. i came across ideas and thoughts that i know i've read before other places (thomas friedman, al gore, denis dutton), but no credit was given. granted that these are not presented as quotations, but neither are they original thoughts on the part of mr. "writer." i think mr. writer might have needed to work with a guy named mr. editor, who should have flagged this fact.

a book like this is very thought-provoking, but it makes me want to read more. i want to know who he has read - i want footnotes and end notes and a bibliography. because i'm certain a lot of research went into this book and it totally spoils it for me that citation of sources is completely lacking.  does he really think ms. reader will believe he came up with all of this himself? no way.

and once these doubts about him crept into my mind, i began to see that many of his conclusions were rather wild as well. he lays out good examples of how our consumer society has pushed us very far from an aesthetic and ethical way of living but then he tacks wild, leaping conclusions onto them. he uses the example of the golf course and the uniformity and ubiquity of golf courses as an illustration for what's wrong and how far we are from nature. i think it's an interesting example, but i'm not sure it proves what he thinks it does. because i don't think that people golf to be somehow closer to nature - they golf for the sport and the competition, not necessarily to see grass, trees and sand traps. the notion is interesting, but his conclusions are all off.

but i keep reading, hoping i'll be able to see the sources between the lines, so i can go directly to them and read even more. because i think that this notion of a return to a more natural state is indeed a way of both liberating beauty and being liberated by beauty and i think it's related (tho' i don't yet know if i can explain how), to this renaissance of craft and handmade. we are looking to turn away from the soullessness of the mall and the giant supermarket and get back to something that feels more real and more beautiful - even if it's just rhubarb from our own garden or curtains we sewed ourselves. we are turning away from the mass produced and towards the unique and beautiful.

but, mr. skriver, shame on you for not citing your sources. you've done yourself (and your name) and us a disservice.