missed opportunities in vejle kommune

here's what they ended up with as the last "kulturhus" they built.

oh, the joys of bureaucracy. and small minds. and small thinking. it's enough to make a girl want to just throw up her hands, tear her hair out and just ask, "why, why, why?" (and that last bit isn't just because i've been listening endlessly to paul simon's graceland in the car.)

we chose our falling down farmhouse at least in part because it was located in the outback of vejle municipality (more like a county in american terms), but it was still part of vejle, which made it seem less like the back of beyond and more part of the real world. vejle (population 51000) seemed like a happening place, progressive and successful and not all THAT far into jutland (the bit of denmark that's actually attached to the continent). but the more i encounter this municipality, the more i realize we really had the wrong impression of them. or perhaps vejle is changing, becoming increasingly small-minded and afraid to dare anything - i think that crisis will do that to some places and if those in charge aren't strong and full of ideas, well, things disintegrate a bit and devolve into increasingly impenetrable bureaucracy that seems to be lazily circling the drain. it's arguably true of the current national danish government as well, so vejle isn't alone in their lack of big thinking.

but let me back up a little teeny bit: as you know, denmark is proud of their welfare state, but financing it is becoming, shall we say, a little bit problematic. it's all well and good to be generous to those who are out of work, but when unemployment rises, there's suddenly quite a LOT of those people and it's a big burden on the system. so there's a whole lot of talk every day in the news about how to stimulate growth and create jobs and prop up that welfare state.  there are special "acute jobs" advertised (the government promised 12,500 of them last autumn). they are for people who have been out of work for more than 2 years and the company who provides the "acute job" will get paid a bonus if they still have the employee after a year. it's kind of like affirmative action for the long-term unemployed.

another thing the government talks about is creating jobs in the public sector by initiating infrastructure projects and building things like "culture houses" out in little towns on the far flung edges of the municipalities. so the process as the bids were let for our coming culture house was quite surprising to me in light of this.

the project was officially let on EU terms (oddly, not with the intention of applying for EU funds for it, which i would have thought would be the reason). since denmark is (to a limited extent anyway), part of the EU, it meant just following the EU bureaucracy surrounding the bid process around public projects. i also (mistakenly again) thought it would mean that the project description would be provided in other languages than danish, to truly open it up to the whole EU, so that there might be an influx of fresh ideas from abroad. wrong again. it was an EU bid, but only in danish (so good luck to anyone not happening to speak/read that minor language) and only advertised locally.

but worst of all, in view of the way that the government goes on and on about how the economy needs a kick start and people need to start businesses and create jobs, was that the requirements on the experience front were so extensive and long, that no companies but the largest, oldest, most established could possibly bid in on the project. completely excluded were the young architects who might come with fresh, amazing ideas, just out of architect school. completely excluded were new companies (and new ideas, i fear). it was, in short, a direct suppression of the entrepreneurial spirit by the very government that's purporting to want to support it.

when i dared to bring it up and point out that we were actually excluding young entrepreneurial talents, i was assured by our dear friend the tender manager (you may remember her from this post), that the big firms would engage them, so we would still benefit from their talents. no supporting evidence was provided to back up this statement. and i'll believe it when i see it.

so, out here in the sticks, we are going to have a new "culture house" and it's going to be built by some old, established firm who has built 10 others and it won't be unique, or special or give some young architect a leg up in his first job. and i think that's a shame. but apparently there's not so much action behind all of that government talk about supporting entrepreneurs and creating jobs.

* * *

meanwhile, elsewhere in the same municipality, the little museums have all been consolidated under one big bureaucratic umbrella. this has left some of the little ones, like my favorite one in randbøldal, to be run largely by volunteers, who do an absolutely splendid job. an active group of weavers and paper-makers ensure a wonderful, relaxed and welcoming atmosphere, as well as events - like a historical market and a second-hand market. it is a real haven.

but recently the big central museum decided they needed a bit more control over the place, so they began sending out a young woman (who has the curious (and slightly alarming) title of formidlingsleder - literally "leader of dissemination") to meet with the volunteers. sounds like a title that would have fit right in in nazi germany, don't you think?

the volunteers have, for ten years, had a big array of projects which they have done, finding money for them themselves by applying for various grants and to various charitable foundations. for example, they've just released a book featuring ten years of their tea towel designs and they have created an absolutely lovely little museum shop that is filled with handmade goods, artfully displayed.

the replica of egtved pige's dress (one of those well-preserved danish mummies) used to come to randbøldal for the winter, when the little building at her gravesite is closed. i say used to, because as you recall, her dress was stolen late last summer. so these fearless and conscientious and ambitious volunteers in the weaving group decided to get in touch with the textile artist who had created the replica (the real one is safe in the national museum in copenhagen) and work with her to weave a new one to display at the grave and in randøldal in the winter. they did extensive research and were even working with someone who had special, traditional sheep for the fibers, so they could spin wool that would be as close as possible to the original.

i'm using the past tense, because the leader of dissemination put a stop to it (and they weren't even being asked for funding) - in a very confusing and not direct way (it's typically danish to be afraid of conflict and pretty much a national disease among danish women) that left the weaving group feeling very bad indeed. she later sent a mail wherein she explained that it had been decided that an expert with a degree in reconstruction of ancient textiles would be engaged to make a new dress (because those are a dime a dozen in denmark and surely won't cost anything). remember, the real dress is safe and sound in the national museum, so they are being denied the opportunity to make a well-researched replica (which is precisely what the one that was stolen was). and the woman who made the original replica was a dancer who did dance performances as egtved pigen, so not an ancient textile expert. what a silly decision, don't you think?

* * *

so where is it all going wrong? i think that both are instances of very limited thinking. there's no room for imagination and ideas and creativity and solutions and definitely no room for initiative. and i think our world is going to become a sadder and poorer place for it. we need open minds and open hearts and open thinking. but how on earth can we have those things today?

wanted: thieves of a bronze age mini skirt

i've actually shared these shots with you previously. but i just learned that back in september, this replica of the egtved pige's (egtved girl) clothing was stolen from a display at her grave near egtved (a little town not too far from where we live). it's a copy of the clothing found on her that was painstakingly reconstructed in 1980-81 by susanne magelund, using the sort of materials and methods that the original garment had been made of.

the good news is that the weaving group at my favorite little museum in randbøldal is going to take on the project of constructing a new version of the clothing during 2013. if i get my act together and go there a bit more often, i may even get to be part of the process! (and i might try to convince them to make an extra skirt for me - i still think that's a pretty cool design and i do like me a short skirt.)

i think it's magical that there are groups of volunteers who have both the notion and the guts to take on such a project. the original dress, which is safe in the national museum in copenhagen is 3300 years old and one of the best-preserved textiles of its kind ever found. it's pretty awesome that a group of people with equal measures of passion and curiosity want to undertake duplicating such an amazing garment.

but boo to those jerks who stole it. i suppose they thought it was the original and would be worth a lot of money. i imagine when they found out it wasn't, that they callously threw it away somewhere. it's such a shame.

egtvedpigen: a bronze age babe

back in 1921, a farmer named Peter Platz was removing a burial mound (this one) on his property when he came across a very old oak casket. he had the sense to stop the removal and write a letter to the national museum in copenhagen. it was february and rather cold, so the museum had some trouble getting someone to go over and check it out. eventually, they did send someone and they discovered the body of a young girl within the casket. and peter realized it was so important that he put the mound back and even erected a memorial stone to her.

she had died at the age of about 18 in 1370 B.C. and is one of the best bronze age finds ever. tho' there wasn't much left of her actual body, her clothing was remarkably well-preserved. tho' this is a replica of her dress, not the real thing. there were some well-preserved birch bark items in the casket with her and disturbingly some burned bones from a 5-6 year old child as well.  there is a lot of speculation about what happened and whether it was some kind of ritual or cult sacrifice, but truth be told, we'll likely never know. i do like imagining her life, tho', especially since she was wearing such a cool outfit.

the real casket, what's left of the girl and the real clothing are in the national museum in copenhagen, but on the site where she was found near egtved (not far from where we live) is a little teeny tiny museum. it's surprisingly informative and features this wonderful replica of her clothing. a woven top in natural wool in brownish tones, belt with a large bronze decorative "shield" and quite a hot little mini skirt in a design i would seriously not mind wearing.

with the dress in a glass case and poor lighting in the building, my pictures aren't great, but i had to share, it's such a stylish and quite timeless design. if i could manage to knit or crochet or otherwise make things with yarn, i'd try to duplicate it. the top is woven, probably on a loom and is also so stylish. the skirt is one long piece that wraps around twice and has a woven waistband to which the "fringes" are attached - they're also bound together at the bottom. there was some evidence in the grave that she had had some kind of woven leggings on as well, but they are not preserved. but a 3300 year-old miniskirt. now that's what i call retro fashion.