skrot on the brain

skrot - it's a danish word for scrap, not something naughty, tho' it does look a bit naughty somehow. for me, it also has the connotation of being scrap metal, so it conjures images of fetching bits of rusty wire and iron. so i was very excited when our local art group, creagive (get that, we're creative in give) chose skrot as the theme for our yearly spring exhibition.

i didn't participate in last year's exhibition, as i felt like i really couldn't since i'm not a painter, but with this theme, it lends itself more to the mixed media/collage-style that i like. and with five days off here for easter, i'm getting down to business in earnest on the pieces i've been mulling over in my mind for several months. i got permission to go explore the container above (which i had sneaked a photo of a couple of weeks ago) and take what i'd like for the pieces i have but a vague picture of in my mind. alas, i went today to have a look and found, to my horror, that the container had been emptied. i'll be honest and tell you that i almost cried. i could picture one of my little fobots (found object robot) with curly hair made of those metal shavings and now that they're gone, i'm not sure what to do.

some members of the group were quite horrified by the theme, coming up with all kinds of violent and sexual connotations for the word (there is a meaning of it that's along the lines of up yours). but i say there's still potential to artistically explore those meanings as well, even tho' the word doesn't bring such things to my mind when i ponder it. perhaps i'm a little too in love with shipyards, as those are the images that come to mind for me - enormous, rusty bits of metal, lying around, looking fetching. i can see all kinds of potential in those. and i find myself also pondering ways of working some lego into my pieces - the contrast between the rusty metal and the colorful plastic could be very interesting.

in addition to a little grouping of fobots, i've also ordered this photo of a ship that's being scrapped in a large size. husband is going to help me make a frame that echos the scrap theme as well. i've found so much inspiration in the notion of rusty hunks of metal. i'm lucky there's no limit this year to how many pieces you can contribute. but we'll see how many of the ideas floating in my head and on my pinterest board, make it into reality and how they look when they do. inspiration is a wonderful thing.

the eyes have it

ever so long ago, the lovely tara thayer of eyebuzz fine art in tarrytown, NY, asked me to contribute some of my eyeball obsession photos to public bookstore, a beautiful book that the gallery, which she runs with her husband, was going to issue. well, public bookstore (the book and the exhibition) has arrived! you can see my contribution here, on tara's flickr photostream (do stay there and look around, her photos (taken with a nikon, of course) are delightful.  and if you like my eyeballs, they're available here.

shifting forces of gravity

i did something this week that feels like a major step for me.  husband is always teasing me that my friends are all virtual and the things i find of interest happen in places far removed from where i live. so when i read in the local newspaper that a new association of local artists was forming, i decided to get involved where i am. and i joined.

in order to do so, i had to say that i was an artist.  that felt really strange and like a major shifting of gravity beneath my feet. related to this step, i also worked on setting up my long-procrastinated etsy shop this week. i still haven't listed any items, but i'm getting closer and i will let you all know here when it's up and running. and i even called it shifting forces of gravity, because that's what taking this step feels like.

i'm not sure what kind of artist i am and that's a little bit the issue. i've tried so many things over the past year, in my process of getting back in touch with my creativity, that i've been kind of all over the place (see yesterday's post for evidence of this). a bit of painting, some sewing, some quilting, a few little clay robots, gocco prints and of course, my photography. i'm leaving the door open and we'll see where the muses take me.

i think one of the places i want to go is back towards these driftwood people that husband and i made together a couple (or is it 5 or more) years ago:

"great love"

j & j-p, 2002

easter island meets denmark

j & j-p 2002

at the time we made these, we also made a few others for friends and family as gifts. it was a really interesting process. we'd lay out all of the driftwood on the table and see which pieces spoke to us. then, husband would fashion the metal wire into arms and legs if that was what was needed or attach them and do all of the hammering and drilling and screwing bits. i did the painting and the actual composition. it was a great partnership and i'm not sure how we drifted away from it. now that he's got his workshop and i my studio, we should be able to go back to these collaborative pieces.

i'm brewing a post on my sources of inspiration these days and will share that will you soon. happy weekend one and all...

p.s. shifting forces of gravity is totally a murakami thing. :-)