Showing posts with label i am so writing a book. Show all posts
Showing posts with label i am so writing a book. Show all posts

Monday, February 24, 2020

ghost ship

photo from the Irish Times article
i'm a bit obsessed with the story of the M/V Alta, a ghost ship that washed up on a remote shore in ireland after last weekend's storm dennis. it was unmanned and had been abandoned and floating derelict in the atlantic for 17 months. it's 77 meters long, built in 1976 and last registered to an unknown company under tanzanian flag. its last voyage was said to be from greece to haiti, which seems a strange route. it had some kind of irreparable engine failure somewhere off bermuda and the 10-person crew (i cannot find any info about the nationality of said crew) first had supplies air-lifted to them and then was rescued by the US coast guard ahead of an oncoming hurricane in september 2018. the owner was supposed to tow the ship somewhere for repairs, but it seems that never happened. there are rumors that it was being towed to guyana when it was hijacked and then left to drift again. none of the reports mention what cargo was onboard at its abandonment, nor have i been able to learn the nationalities of the crew. it's all very mysterious. the last sighting of the ship was by a british navy vessel at some undisclosed location last august-september (they're very cagey about precisely when and where). in a couple of the articles, it was mentioned that it was sighted off africa and spain (possibly out near the azores or canaries?) in recent months. it must have been caught in the gulf stream and carried north. another article i read suggested it went north along the US coast and then crossed the Atlantic from higher up.

the other night at the bar, an old maersk captain came in and i asked him what he thought about it. he immediately grinned and said, "it's the flying dutchman!" - the legendary ghost ship! he also said that such vessels are not at all unusual. some nefarious character picks up a ship for cheap, hauls one illicit cargo - drugs, weapons, supplies that are under embargo, etc. - and then abandons the ship. it would stand to reason that sailing between greece and haiti, it could have had some unusual cargo on board, as that doesn't seem like a normal trade route. but, i wonder what happened to that cargo? perhaps the reports of the ship being towed to guyana are actually a rendezvous with another ship that offloaded the cargo and sailed off with it, leaving the ship.

it seems strange that the owner is so hard to trace and strangely enough, an owner seems to have presented themselves to the irish authorities and was awaiting verification. that could be anyone, wanting a ship - that was my brother-in-law's first idea, that we should claim it and then we'd have a ship - a 44-year-old ship that had been abandoned and drifting for a year and a half. when i showed the maersk captain the picture, he said, it was a "russer" - at least built in russia, just by looking at it. i haven't read that, but it could be. none of the articles have talked about earlier names or owners through the years, but there must have been many. i just can't stop thinking about it. there must be more to the story. so many unanswered questions.

if it was a nefarious owner, wanting to use it for one illicit cargo, i imagine the crew was filipino and i wonder what their fate was - how did they get back home if the owner had abandoned them and the ship? and what about the cargo? they hadn't yet reached their destination when they broke down, so there had to be a cargo on board. i'm imagining all kinds of stories for this! maybe i need to work in such a storyline to our story. we have lumke's voyage in 1723 and a contemporary voyage - hmmm, how to connect them? or is this a whole new story? i was always fascinated by the kursk sinking as well and voraciously read everything about that back when it happened. if you told that story, you'd want them to be rescued though, as the ending there wasn't a good one for everyone on board. that was in putin's early days and he didn't handle that very well - he handled it like a KGB agent, not a leader.

but, back to the alta. what was it that broke down and couldn't be fixed? were there no spares on board, so the crew couldn't get it running again, or was it a cheap, third-rate crew that didn't have the know-how? the owner, wanting it for just the one voyage, didn't plan on needing to repair it. anyway, it's all very interesting and would be a story worth telling - even if i have to make up most of the details.

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new information from marine traffic - it was panama flag, not tanzania. and there is a list of the names the ship has had...


very weird with a norwegian flag and name after the alta name...this story is so very curious.

wait! more from marine traffic: "She was also in the news in 1983 when she sank off Norway. Raised and repaired she continued trading." this story gets better and better!

Thursday, February 21, 2013

more fodder for my book

as you all know, i am part of a local group that was elected in a more or less (emphasis on less) democratic process early last summer to oversee the establishment of a new "culture house" in our little town. the group is composed of 7 members and 2 non-voting extras (who perform a sort of runner-up role, in the event one of the elected members is unable to fulfill their duties, one of these will step up). this has already happened, as one of the members, fed up with the way the chairman behaves, recently resigned, so one of our runners-up has already stepped up to take his crown.

the chairman's latest bid in a series of methods for exercising control is to write a 17-point "business order" document for the group (apparently you can never have too much bureaucracy and by-laws, while holy writ, are not enough). it covers everything from how to conduct the first meeting (tho' that ship sailed long ago) to what the agenda should consist of to that the meetings are closed (tho' who would want to attend them if they didn't have to is beyond me) to who can call for meetings and how far ahead they must do so (it states the agenda must be sent out 8 days before the meetings, something which has never happened in the 9 months we've been meeting). probably the most interesting point is #4, which says that there is a chosen group within the larger group, called, literally, the "business chosen ones (forretningsudvalg)." this group consists of the chairman, the vice chairman and one chosen crony of their choice (because really, we can't trust the democracy and a group of seven can hardly be expected to get anything done, right?). it struck me as i read it that the soviet way of doing things isn't as dead and gone as one might think and that it apparently extended farther west than we realized.

even more interesting is another document accompanying the first one. it contains only four points, but they are a broad brush mandate for "the business chosen ones (forretningsudvalg)." it is the mandate of this group to:

  1. take care of the daily interests of the board (not stated is why the board is incapable of this themselves).
  2. only members of this group may contact public authorities, cooperation partners and the press.
  3. this group can, when it's expedient/necessary, make fast decisions which affect the budget and/or the group as a whole to a high degree.
  4. the group is responsible to the board and refers to the board.

in other words, the chosen ones can make whatever decisions they want whenever they want, without asking the board until afterwards. and it occurred to me that what i am a witness to here isn't so much soviet-style bureaucracy as fascism. after all, fascism postulates that a chosen few are not only allowed to dominate on behalf of the inferior elements of society, but they must do so for the common good. i should say that i do hesitate to throw the word fascism around, because as george orwell wrote in 1944, "the word 'fascism' is almost entirely meaningless ... almost any english person would accept 'bully' as a synonym for 'fascist'." basically, our troglodyte pal is moving to formalize (bureaucratize?) his mandate to bully the group as he sees fit.

the documents are so transparent in their attempt at control and happily, leave so many loopholes uncovered, that they are quite laughable. of course, in the early days of the nazis, their antics were also thought laughable and look where that led, so one has to be vigilant. for now, my inner anthropologist finds the documents give a fascinating insight into the mindset and yes, the fears, of the small-minded, small-hearted man who is, for whatever reason, at the helm of this group. he has exposed himself for all to see. and it's not a pretty sight. but it is fodder for my book. and for that, i am deliciously grateful.

Wednesday, February 06, 2013

a question of trust

trying to fit in another's frame doesn't work for me
last evening, the schoolmarm character in the farce that has filled my recent weeks, righteously gave me a lecture about trust and how i needed to trust in systems and processes and the people around me (this isn't the first time this happened). she offered no supporting evidence, save tradition, that trust was warranted and i have numerous examples where i can see that trust has neither been earned nor deserved.

for me, trust and openness go hand in hand. when a group is teeming with hidden agendas and secret alliances, there is a distinct lack of openness. when one member is repeatedly left off emails and action lists, one has to begin to wonder if it's not being done on purpose. once might be an accident, twice some serious forgetfulness, but more than that and it begins to look like chicanery. i suppose that many would give up in the face of such treatment (and schoolmarm more than hinted yesterday that i should consider that), but i'm not many. and i'm stubborn. and the project itself - the establishment of a place in the community that will house not only a new library, but all kinds of activities - creative workshops, atelier space, theatre, film, exhibition space, concerts, events, music, readings, lectures and maybe even a café - feels worth it. because i want to live a place where all kinds of things are happening and to have a place to go that feels welcoming and open to a wide variety of people and activities. i want to learn ceramics and jewelry-making and maybe try to paint. i want to hang out with creative people and be inspired and for the community to have a place where that's precisely what happens, well, i think that's worth fighting for.

what's odd is that a small group within the small group that has been elected to this task is very closed and insular. they want to keep the project to themselves. they don't want to hear the wishes of the community. and it's very odd, because several of those who are the most closed are not users of the current facilities - the troglodyte actually goes so far as to disparage the activities that are happening there today. apparently not realizing that it will be the same sort of activities - concerts, lectures, film evenings, like-minded arty folks who paint together, theatre - that will happen in the new (or renovated) facilities.

is it any wonder i don't trust the motivations of these people? why on earth get involved if you're not passionate about the project itself? i will continue to question and yes, think for myself, and yes, hold onto my suspicions until i can see that everyone involved wants the best for the project. because that's definitely not clear right now. there are issues of alliances and power (as laughable as that sounds in this small town context) involved that are not easy to see through.

i don't need to be popular, i just need for people to treat differing opinions with respect, rather than bullying. there must be room for all of us. and once that room is made, then trust might follow. but until then, i don't trust them any farther than i can throw them.

Tuesday, February 05, 2013

character sketch

close examination
the schoolmarm: righteous. old-fashioned. square. bound (trapped?) by tradition, closed to anything new or, odin forbid, which smacks of the outside. outside is anything beyond the city limits and a few places within them. "fear" and "fright" are frequent words in her vocabulary. a veritable slave to the rather arbitrary rules. afraid to dare. afraid to look up. afraid of new ideas. afraid to look beyond immediate borders. tho' very opinionated is actually a bit afraid of her own opinions when it comes to it - always looking to some form of authority to nod at her and let her know it's ok. a natural frowner. a bit hard to discern why she is involved when the most frequent phrases out of her mouth are "i don't have the energy" and "i don't really understand, so i hope there are others who will take care of it."

frequently resorts to the "you're not of our culture" (i believe there's a name for that: racism) argument (in the absence of any real logic or actual arguments) and this evening came with some weird statements about trust which i can make no sense of whatsoever.

i've noticed that when people lack a proper argument, they resort to things like, "oh, you're not from here, you don't understand." "you didn't grow up in our culture, so you don't know how it works." "we have all this under our skin, but you don't understand because you're not one of us." and you know what? those are utterly crap arguments, not mention racist and xenophobic. and it's so disappointing, because i really enjoy a good argument with a worthy opponent. and it doesn't have to be an argument per se, but just a lively discussion. but an unworthy opponent that can't even come with a proper, logical response, those just drain your energy.

happily, i can conserve energy by taking notes and calling upon my inner anthropologist. and i definitely get a lot of satisfaction from sharing it with all of you.

the trick will be to take these character sketches and give them some worthy plotline, because i can tell you that real one is too boring for words.

Tuesday, January 22, 2013

character sketches


i find the best way to get out my frustrations from meetings is through writing character sketches. i figure they'll come in handy if when i write a novel about this peyton place (isn't every small town a peyton place?) where i live. writing these gives me the anthropologic distance i lack when i'm in the midst of the situation and allows me to return to a place where i have a cool head. probably the worst feeling of all in the midst of the actual situation is feeling that because i speak with an accent, some (but not all) of the players involved talk down to me, as if i'm a small dull child and don't understand. as you can see from the sketches below, i understand very well.

the tender manager: officious, arrogant, condescending, pedagogical and more than a bit self-satisfied. yet underneath, there is that insecurity that often comes from being a woman in a man's world - it leaks through in the mannish haircut, the abrupt manner, the defensiveness when legitimate questions are asked. in order to be accepted in the man's world, chooses to use archaic, anti-feminist, degrading characterizations of women to describe things - along the lines of calling them a flock of hens and such. despite being tasked to listen to the group and speak for the group (in writing), simply writes what she wants herself, bullying it through under the guise of technical and legal jargon (that upon further examination is neither technical nor legal, just not what the group thinks is important). allows her personal preoccupations to shine through, tho' the project technically belongs to others and the end product will not be used by her. furthermore, she has a strange aversion to the word "sustainability."

the project manager: ruled by the gods of the calendar. both loves and thrives on being able to prove how busy (and therefore important) she is by how many meetings are packed in, especially if they extend after normal working hours and to the weekends. may actually secretly (and even visibly if you're observing carefully) have a small orgasm right there out of the pure delight of filling her calendar with meetings, preferably months out into the future.

the secretary: a little sheepish about being secretary of the whole thing, because he is, after all, a man. the women's world of the public sector has rendered him emasculated and a bit defensive when any questions are asked of him. he is quiet and well-behaved, tamed, like a obedient dog.

there will undoubtedly be more to come...